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Musical
0001 - Cats (1981)
Musique: Andrew Lloyd Webber
Paroles: T.S. Eliot • Trevor Nunn
Livret: Andrew Lloyd Webber • Gillian Lynne • Trevor Nunn
Production originale:
13 versions mentionnées
Dispo: Résumé  Synopsis  Commentaire  Génèse  Liste chansons  

Genèse: Composed by Andrew Lloyd Webber, Cats is based on Eliot's Old Possum's Book of Practical Cats (1939), which the composer recalled as having been a childhood favorite. The songs of the musical comprise Eliot's verse set to music by the composer, the principal exception being the most famous song from the musical, "Memory", for which the lyrics were written by Trevor Nunn after an Eliot poem entitled "Rhapsody on a Windy Night". Also, a brief song entitled "The Moments of Happiness" was taken from a passage in Eliot's Four Quartets. Andrew Lloyd Webber began composing the songs in late 1977 and premiered the compositions at the Sydmonton festival in 1980. The concert was attended by T.S. Elliot's wife, Valerie Elliot and she loved the songs that Webber had composed. She gave her blessing for the songs to be adapted into a musical stage play. Rehearsals for the musical began in early 1981 at the New London Theatre. Due to the Elliot estate asserting that they write no script and only use the original poems as the text, the musical had no identified plot during the rehearsal process, causing many actors to be confused about what they were actually doing. An unusual musical in terms of its construction, the overture incorporates a fugue and there are occasions when the music accompanies spoken verse. The show is completely told through music with virtually no spoken dialogue in between the songs. Dance is also a key element in the musical especially during the 10 minute Jellicle Ball dance sequence. The set, consisting of an oversized junk yard, remains the same throughout the show without any scene changes. Lloyd Webber's eclecticism is very strong here; musical genres range from classical to pop, music hall, jazz, rock and electro-acoustic music as well as hymnal songs such as "The Addressing of Cats". Cats premiered in the West End at the New London Theatre on 11 May 1981. There was trouble initially as Judi Dench, cast in the role of Grizabella, snapped a tendon during rehearsals prior to the London opening. The role of Grizabella was subsequently taken over by Elaine Paige. The role was beefed up for Paige and the song "Memory" (originally to be sung by Geraldine Gardner in the role of the red cat Bombalurina) was given to Paige. The musical was produced by Cameron Mackintosh and Lloyd Webber's Really Useful Group, directed by Trevor Nunn, with associate director and choreographer Gillian Lynne, design by John Napier, and lighting by David Hersey. It played a total of 8,949 performances in London. Its final performance in London's West End was on its 21st birthday, 11 May 2002, and broadcast on a large screen in Covent Garden to the delight of fans who could not acquire a ticket for the final performance. It held the record as London's longest running musical until 8 October 2006, when it was surpassed by Les Misérables. The show made its debut on Broadway on 8 October 1982, at the Winter Garden Theatre with the same production team. On 19 June 1997, Cats became the longest-running musical in Broadway history with 6,138 performances. It closed on 10 September 2000, after a total of 7,485 performances. Its Broadway record was surpassed on 9 January 2006 by The Phantom of the Opera. It remains Broadway's second longest-running show in history. Lloyd Webber stated that when the original show was produced, it cost £900,000, but on Broadway, it cost $5,000,000. In 1998, Lloyd Webber produced a video version of Cats, based upon the stage version, starring Elaine Paige, who originated the role of Grizabella in London; Ken Page, who originated Old Deuteronomy on Broadway; Sir John Mills as Gus; Michael Gruber as Munkustrap; John Partridge as The Rum Tum Tugger; Jo Gibb as Rumpelteazer with many of the dancers and singers drawn largely from various stage productions of the show. It was directed by David Mallet, with choreography and musical staging by the show's respected original creator Gillian Lynne in London's Adelphi Theatre, and was released on VHS and DVD, as well as broadcast on television worldwide. Andrew Lloyd Webber and others on the production team for the film wanted to keep the feeling that viewers watching the film could still get the sense of seeing the show live, by having all views be facing the stage, therefore, getting multiple views of the set, but still feel like the viewer is part of a live audience, with several close-ups. Beyond the productions in Britain, the U.S., Canada, and Australia, the musical has been produced professionally in Hungary, Austria, and Japan, 1983; Sydney and Toronto, 1985; Germany, 1986; France, 1989; Mexico, 1991; Netherlands, 1992; Argentina, 1993; Hong Kong, 1994; Spain, 2003; Poland and Czech Republic, 2004; Russia and Estonia, 2005; Israel, Taiwan, Thailand, South Korea, China and Finland, 2007; Singapore, Hong Kong, Dominican Republic, Norway, Sweden, South Africa, China, Italy, Bulgaria and Japan, 2009; and Brazil and the Philippines, 2010. Cats has been translated into over 20 languages. A West End revival of Cats is being planned for 2013.

Résumé: Les chats Jellicle se réunissent une fois par année au bal des Jellicles où le vieux Deuteronomy choisit un autre vieux chat ou chatte destinés à renaître une nouvelle fois. Cette année, le bal est troublé par l'arrivée de Macavity, qui va capturer le vieux Deuteronomy.

Création: 11/5/1981 - Gillian Lynne Theatre (Londres) - représ.


Version 1

A Midsummer Night's Dream (1977-06-Aldwych Theatre-London)

Type de série:
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première : Saturday 25 June 1977
Dernière : Inconnu
Mise en scène : Gillian Lynne • John Barton
Chorégraphie :
Producteur :
Avec : Fletcher Dexter (Cobweb), Woodward Peter (Demetrius), Jones Griffith (Egeus), Begley Kim (Fairy), Carson Avril (Fairy), Culbertson Rod (Fairy), Du Sautoy Carmen (Fairy), O'Shea Kevin (Fairy), Wagar Paul (Fairy), Whitehouse Christopher (Fairy), Preston Duncan (Francis Flute), Galsworthy Marilyn (Helena), Guard Pippa (Hermia), Du Sautoy Carmen (Hippolyta), Whitworth Paul (Lysander), Coghill James (Moth), Luxford Mark (Mustardseed), Griffiths Richard Thomas (Nick Bottom), Stewart Patrick (Oberon), Bethell Dan (Peaseblossom), Tyrrell Norman (Peter Quince), Preston Leonard (Puck), Tanner Leon (Robin Starveling), Lyon David (Snug), Durden Richard (Theseus), Bland Marjorie (Titania), Taylor Keith (Tom Snout)
Commentaires : Un spectacle de la RSC.

Version 2

Aspects of love (1989-04-Prince of Wales-London)

Type de série: Original
Théâtre: Prince of Wales Theatre (Londres - Angleterre)
Durée : 3 ans 2 mois
Nombre : 1325 représentations
Première Preview : Inconnu
Première : Monday 17 April 1989
Dernière : Saturday 20 June 1992
Mise en scène : Trevor Nunn
Chorégraphie : Gillian Lynne
Producteur :
Avec : Michael Ball (Alex Dillingham), Ann Crumb (Rose Vibert), Kevin Colson {George Dillingham), Kathleen Rowe McAllen (Giulietta), Paul Bentley, Laurel Ford, David Greer
Commentaires : Originally the part of Uncle George Dillingham was to be played by Roger Moore. He asked to be released during rehearsals, frankly admitting that he was not able to sing well enough, and was replaced by the Australian, Kevin Colson. The show received a largely polite reception from the London critics, and thanks to its £2 million ticket sales advance ran for over 3 years. An arrangement was made with American Equity whereby the entire British cast were allowed to perform the show on Broadway (April 8th 1990) where it ran for 377 performances, in spite of receiving savage reviews like “an endless stream of clichés and predictable rythmns”. However, it lost several million dollars in the Broadway production. Amongst London cast replacements were Michael Praed, Clare Burt, Sarah Brightman , Barrie Ingham, Simon Masterman-Smith, Grania Renihan, Helen Hobson and David Malek.
Presse : "...a lyrical, heart-breakingly romantic chamber piece..... " Herald Tribune / "... a vibrantly intelligent and commanding performance by American Ann Crumb... A perfectly delightful performance from Diana Morrison... the daring shown here tonight deserves to win our admiration…" Daily Mail / " ...a remarkably daring piece of work…" Financial Times / " ....the musical texture becomes lively and varied and the stage starts to flood with real emotion... (Trevor Nunn) .... creates both images of rapturous gaiety ... and moments of desolating sadness... Mr Lloyd Webber shows a capacity to reach emotions that other composers do not touch." Guardian

Version 3

Aspects of love (1990-03-Broadburst Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Broadhurst Theatre (Broadway - Etats-Unis)
Durée : 10 mois 4 semaines
Nombre : 22 previews - 377 représentations
Première Preview : Monday 19 March 1990
Première : Sunday 08 April 1990
Dernière : Saturday 02 March 1991
Mise en scène : Trevor Nunn
Chorégraphie : Gillian Lynne
Producteur :
Commentaires longs: Avec à la création Ann Crumb, Michael Ball, Kevin Colson, et Kathleen Rowe McAllen. Sarah Brightman et John Cullum firent partie des cast de remplacement,

Version 4

Cabaret (1986-07-Strand Theatre-London)

Type de série: Revival
Théâtre: Novello Theatre (Londres - Angleterre)
Durée : 9 mois 2 semaines
Nombre : 329 représentations
Première Preview : Inconnu
Première : Thursday 17 July 1986
Dernière : Friday 01 May 1987
Mise en scène : Gillian Lynne
Chorégraphie : Gillian Lynne
Producteur :
Avec : Kelly Hunter (Sally Bowles), Wayne Sleep (MC), Peter Land (Clifford),
Vivienne Martin (Fraulein Schneider), Oscar Quitak {Herr Schultz), Rodney Cottam (Ernst Ludwig)
Commentaires : The show initially received luke-warm reviews, but it attracted reasonable audiences. There were rumours of a number of backstage squabbles, and at the end of February Toyah Wilcox was brought in to replace Kelly Hunter. The show suddenly closed on Friday May 1st 1987 after a strike following the sacking of five out of the 13 orchestra members. The show had been blighted with a number of difficulties, including a serious breakdown in the orchestra’s relationship with Wayne Sleep, who accused them of interfering with his performance and alleged they were guilty of drunken and bawdy behaviour. The final performance (Friday May 1st 1987) was played with no musicians, and subsequent negotiations failed to resolve the problem. After the show ended a whole series on unpaid bills came to light, and 3 years later the main backer, William Hancock, was declared bankrupt with total debts of over £5 million.

Version 5

Cage aux Folles (La) (2008-10-Playhouse Theatre-Londres)

Type de série: Revival
Théâtre: Playhouse Theatre (Londres - Angleterre)
Durée : 1 an 2 mois
Nombre : 8 previews - 517 représentations
Première Preview : Monday 20 October 2008
Première : Thursday 30 October 2008
Dernière : Saturday 02 January 2010
Mise en scène : Terry Johnson
Chorégraphie : Gillian Lynne
Producteur :
Avec : Denis Lawson (Georges), Douglas Hodge (Albin), Stuart Neil (Jean-Michel), Alicia Davies (Anne), Ian Mitchell (Edouard Dindon), Paula Wilcox (Mme Dindon), Tracie Bennett (Jacqueline), Jason Pennycooke (Jacob)
Commentaires : After a total sell-out season at the Menier Chocolate Factory, it was revived at the Playhouse in October for what was announced as a strictly limited 12 week run. There were some cast changes for this transfer, significantly with Denis Lawson as Georges. This transfer was hugely successful so the three months was extended, and in order to boost the box office and cope with a series of extensions, the leading roles were regularly re-cast every three months. In January 2009 the replacements were Graham Norton (Albin) and Steven Pacey (Georges); in May Roger Allam played Albin and Philip Quast reprised his original role as Georges; in September John Barrowman and Simon Burke played Albin and Georges respectively; and for the final months Douglas Hodge and Denis Lawson returned to end what had been a triumphant run. It finally closed on January 2nd 2010. The production won an Olivier Award for Best Musical Revival and Douglas Hodge won the Best Actor Award.
Commentaires longs: Un énorme succès … mérité.
Presse : MICHAEL BILLINGTON for THE GUARDIAN says, "It may not be a great musical, but it is still a showbiz landmark in its genial endorsement of gay marriage."
NICHOLAS DE JONGH for THE EVENING STANDARD says, "Terry Johnson’s old-fashioned, even reactionary production, which fits far more comfortably into the Playhouse than the little Chocolate Factory, scene of its January opening, reminds us just why La Cage aux Folles still exerts such a strong appeal for traditional, non-gay audiences."
LISA MARTLAND for THE STAGE says, "La Cage is still a winner more than 20 years after its original Broadway opening."
QUENTIN LETTS for THE DAILY MAIL says, " La Cage is a belter of a night out."
Sam Marlowe for THE TIMES says, "Suddenly, the West End sparkles...a production that delights."
MICHAEL COVENEY for THE INDEPENDENT says, " Fantastic revival...rich, melodic score."
CHARLES SPENCER for THE DAILY TELEGRAPH says, "This joyous show and this wonderful performance deserve every hurrah and standing ovation they receive...This is a glorious night of showbiz razzle-dazzle and emotional generosity."

Version 6

Cats (1981-05-New London Theatre-London)

Type de série: Original
Théâtre: Gillian Lynne Theatre (Londres - Angleterre)

Durée : 21 ans
Nombre : 8949 représentations
Première Preview : Thursday 30 April 1981
Première : Monday 11 May 1981
Dernière : Saturday 11 May 2002
Mise en scène : Trevor Nunn
Chorégraphie : Gillian Lynne
Producteur :
Avec : Elaine Paige (Grizabella), Paul Nicholas (Rum Turn Tugger), Stephen Tate (Asparagus), Wayne Sleep Mister Mistoffoles), Brian Blessed (Deuteronomy), Kenny Wells (Skimbleshanks), Susan Jane Tanner (Griddlebone), Bonnie Langford (Rumpleteazer), John Thornton (Mungo Jerrie), Jeff Shankley (Munkustrap), Myra Sands (Jennyandots) , Sarah Brightman (Jemima)
Commentaires : Based on T.S.Eliot’s children’s book “Old Possum’s Book of Practical Cats”. Originally Judi Dench was cast as Grizabella but she suffered a leg injury during rehearsals and was forced to leave the show. The lyrics for fragments of T.S.Eliot’s verse, and the song became one of the greatest hits of the 20th Century, with over 600 different recordings. In January 1996 “Cats” became the
longest running UK musical up to that time, overtaking “Chorus Line”, when it achieved its 6,138th performance. On June 19th 1997 it became the longest running show to date in New York.
It played a total of 8,949 performances in London. Its final performance was on its 21 st birthday, 11 May 2002, and broadcast on a large screen in Covent Garden to the delight of fans who could not acquire a ticket for the final performance. It held the record as London's longest running musical until 8 October 2006, when it was surpassed by “Les Miserables”.

Version 7

Cats (1982-09-Winter Garden Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Winter Garden Theatre (Broadway - Etats-Unis)

Durée : 17 ans 11 mois 1 semaine
Nombre : 13 previews - 7485 représentations
Première Preview : Thursday 23 September 1982
Première : Thursday 07 October 1982
Dernière : Sunday 10 September 2000
Mise en scène : Trevor Nunn
Chorégraphie : Gillian Lynne
Producteur :
Avec : Asparagus … Stephen Hanan
Alonzo … Héctor Jaime Mercado
Bustopher Jones … Stephen Hanan
Bombalurina … Donna King
Carbucketty … Steven Gelfer
Cassandra … René Ceballos
Coricopat … René Clemente
Demeter … Wendy Edmead
Etcetera … Christine Langner
Genghis … Steven Gelfer
Grizabella … Betty Buckley
Griddlebone … Bonnie Simmons
Growltiger … Stephen Hanan
Jellylorum … Bonnie Simmons
Jennyanydots … Anna McNeely
Macavity … Kenneth Ard
Mr. Mistoffelees … Timothy Scott
Mungojerrie … René Clemente
Munkustrap … Harry Groener
Old Deuteronomy … Ken Page
Plato … Kenneth Ard
Pouncival … Herman W. Sebek
Rum Tum Tugger … Terrence V. Mann
Rumpleteazer … Christine Langner
Rumpus Cat … Kenneth Ard
Sillabub … Whitney Kershaw
Skimbleshanks … Reed Jones
Tantomile … Janet L. Hubert
Tumblebrutus … Robert Hoshour
Victoria … Cynthia Onrubia

Version 8

Cats (1983-09-Theater an der Wien-Vienne)

Type de série: Revival
Théâtre: Theater an der Wien (Vienne - Autriche)
Durée : 7 ans
Nombre : 2020 représentations
Première Preview : Saturday 24 September 1983
Première : Saturday 24 September 1983
Dernière : Monday 24 September 1990
Mise en scène : Gillian Lynne
Chorégraphie :
Producteur :
Avec : Frank Ablorh-Odjidja, Valda Aviks, Valentin Baraian, Steve Barton, Gordon Bovinet, Buenaventura Braunstein, Jutta Bryde, Calvann Cole, Lynnda Curry, Laszlo Czergezan, Dion Davis, Martina Dorak, Laura Edmunds, David Forman, Michael Howe, Gregory Jones, Joachim Kemmer, Ute Lemper, Pamela Liebig, Elizabeth Mills, Angelika Milster, Robert Montano, Andrew Morris, Stefan Nagel, Lilo Raab, Sandor Racz, Darryl Robinson, Monica Solem, Iris Wachalowsky, Paul Welterlen, Roger Winell, Beatrix Wipperich, John Yost, Alexandra Young

Version 9

Cats (2014-12-Palladium Theatre-London)

Type de série: Revival
Théâtre: Palladium Theatre (Londres - Angleterre)
Durée : 4 mois 2 semaines
Nombre :
Première Preview : Saturday 06 December 2014
Première : Thursday 11 December 2014
Dernière : Saturday 25 April 2015
Mise en scène : Trevor Nunn
Chorégraphie : Gillian Lynne
Producteur :
Avec : Nicole Scherzinger (Grizabella, to 7 Feb 2015), Kerry Ellis (Grizabella from 9 Feb 2015), Cameron Ball (Macavity/Admetus), Kathryn Barnes (Tantomile), Cassie Clare (Cassandra), Ross Finnie (Skimbleshanks), Charlene Ford (Bombalurina), Adam Lake (Alonzo), Paul F Monaghan (Bustopher Jones/Asparagus/Growl Tiger), Joel Morris (Carbucketty), Natasha Mould (Jemima), Benjamin Mundy (Coricopat), Joseph Poulton (Quaxo/Mistoffelees), Nicholas Pound (Old Deuteronomy), Sophie Ragavelas (alternate Grizabella), Clare Rickard (Jellylorum/ Griddlebone), Adam Salter (Bill Bailey), Laurie Scarth (Jennyanydots), Hannah Kenna Thomas (Victoria/White Cat), Callum Train (Munkustrap), Zizi Strallen (Demeter) and Dawn Williams (Rumpleteazer) who are joined by swings Ryan Gover, Barry Haywood, Alice Jane, Grace McKee, Dane Quixall and Libby Watts
Presse : "Has the show dated since 1981? Aside from some tinny electronic sounds, not really. Is that because it's timeless? I don’t think so. Cats is actually a classy species of panto - fluffy, shiny, just about perfect for this time of year." Dominic Cavendish for The Telegraph

"The anthropomorphised felines, in their spandex leotards and furry leg warmers, still prowl the aisles and glare in the eyes of the punters but the show, with its trademark junkyard set by John Napier, feels less like a prototype immersive experience and more like a weird through-sung-and-danced revue ..." Paul Taylor for The Independent

"It is all performed with great commitment, the dancing is excellent and Nunn’s direction gives a diffuse show a carnivalesque unity. But, while Cats is enjoyable in itself, I’m not convinced it led musicals in the right direction." Michael Billington for The Guardian

"While Cats can’t mask the degree to which it’s rooted in the Eighties, it is a genuinely opulent ensemble piece with a surprising undercurrent of surrealism." Henry Hitchings for The Evening Standard

"In X Factor jargon, Miss Scherzinger nailed it, her low voice almost gasping with emotion, harmonising briefly with another singer before seizing back her solo and clinching it with lusty, self-discovering power. Meow meow meow!!" Quentin Letts for The Daily Mail

Version 10

Cats (2015-10-Théâtre Mogador-Paris)

Type de série: Revival
Théâtre: Théâtre Mogador (Paris - France)
Durée : 9 mois
Nombre :
Première Preview : Thursday 01 October 2015
Première : Thursday 01 October 2015
Dernière : Sunday 03 July 2016
Mise en scène : Trevor Nunn • Gillian Lynne
Chorégraphie : Gillian Lynne
Producteur :
Avec : Prisca Demarez, Golan Yosef, Pierre-Yves Duchesne, Cédric Chupin, Nicolas Turconi, Stoyan Zmarzlik, Sylvain Mathis, Grégory Gonel, Wim Van Den Driessche, Lucas Radziejwski, Yoan Grojean, William Da Dilva Pedro, Axel Alvarez, Fabrice Todaro, Oonagh Jacobs, Emmanuelle Guélin, Vanessa Cailhol, Emmanuelle N’Zuzi, Léonie Thoms, Katharina Lochman, Alexandra Girard, Fédérica Capra, Pascale Bruderer, Virginie Perrier, Allessandro Ripamonti, Charlyne Ribul Conte, Denis Ayzin, Els Smekens.

Version 11

Cats (2016-08-Neil Simon Theatre-Broadway)

Type de série: Revival
Théâtre: Neil Simon Theatre (Broadway - Etats-Unis)
Durée : 1 an 5 mois
Nombre :
Première Preview : Thursday 14 July 2016
Première : Sunday 31 July 2016
Dernière : Saturday 30 December 2017
Mise en scène : Trevor Nunn
Chorégraphie : Gillian Lynne
Producteur :
Avec : Mamie Parris (Grizabella), Giuseppe Bausilio (Carbucketty), Quentin Earl Darrington (Old Deuteronomy), Jeremy Davis (Skimbleshanks), Kim Faure (Demeter), Sara Jean Ford (Jellylorum), Lili Froehlich (Electra), Daniel Gaymon (Macavity), Shonica Gooden (Rumpleteazer), Christopher Gurr (Gus/Bustopher Jones), Tyler Hanes (Rum Tum Tugger), Andy Jones (Munkustrap), Kolton Krouse (Tumblebrutus), Eloise Kropp (Jennyanydots/Gumbie), Jess LeProtto (Mungojerrie), Georgina Pazcoguin (Victoria), Emily Pynenburg (Cassandra), Ariana Rosario (Sillabub), Ahmad Simmons (Alonzo), Christine Cornish Smith (Bombalurina), Corey Snide (Coricopat), Emily Tate (Tantomile), Ricky Ubeda (Mistoffelees), Sharrod Williams (Pouncival)
Commentaires : One of Broadway's previously longest running and most popular musicals makes a special return to New York at the Neil Simon Theatre.
Presse : "The overriding spirit of the revival appears to be the familiar motto: Don’t mess with success... This 'Cats' is fundamentally the 'Cats' you knew and loved when you were first bit by the musical-theater bug. Or it’s the “Cats” you knew and snickered at when you first encountered it." Charles Isherwood for New York Times

"Watching the lively yet enervating revival staged by Trevor Nunn, who directed the original 34 years ago, you can’t help but wonder how its first run lasted 18 years. Plotless, repetitive, nonsensical, the ’80s relic quickly turns tiresome enough to make you wish for a catnap. So much energy spent, so little impact." Joe Dziemianowicz for New York Daily News

"This was a lost opportunity. Rather than lamely re-creating the original (with some punchier added choreography by Andy Blankenbuehler), why not orchestrate the score for acoustic instruments, redo the costumes and dances, and find fresh drama underneath the tacky, dated pageantry? Instead we get a taxidermied pet. If there is heart to the piece, it’s Grizabella, the faded, outcast 'glamour cat.' British crooner Leona Lewis has a big, yearning voice, but even her (heavily amplified) yowling of 'Memory' can’t make the past worth revisiting." David Cote for Time Out New York

"The theatrical evolutions since 1982 make 'Cats' seem quaint and unsubstantial. It's really not a cohesive show, more a revue with a collection of bombastic rock songs connected by mangy fur." Mark Kennedy for Associated Press

"Although it remains to be seen whether this revival will live up to the original production's tagline of "Now and Forever," enough time has passed for a new generation of theatergoers to embrace the show, while those who saw the original (and liked it) will probably want to return for a blast of nostalgia. And with the dramatic upturn in tourists to the Big Apple in recent years, there's no reason to think that this Cats won't be purring on Broadway for a very long time." Frank Scheck for Hollywood Reporter

"As it was in the early days of this enduring musical, and still is, the genius of the show is in the dancing. At this early stage of the game, before the inevitable injuries and burnouts, the dancers are in perfectly splendid form. Quentin Earl Darrington has great authority as Old Deuteronomy, while Daniel Gaymon’s athletic Macavity, Andy Huntington Jones’ regal Munkustrap, and all the other members of the Jellicle tribe are flying high — now and forever." Marilyn Stasio for Variety

Version 12

Chitty Chitty Bang Bang (2002-04-London Palladium Theatre-London)

Type de série: Original
Théâtre: Palladium Theatre (Londres - Angleterre)

Durée : 3 ans 4 mois 3 semaines
Nombre : 1415 représentations
Première Preview : Tuesday 19 March 2002
Première : Tuesday 16 April 2002
Dernière : Sunday 04 September 2005
Mise en scène : Adrian Noble
Chorégraphie : Gillian Lynne
Producteur :
Avec : Michael Ball (Caractacus Potts), Anton Rodgers (Grandpa Potts), George Gillis/Harry Smith/Luke Newberry (Jeremy), Carrie Fletcher/Lauren Morgan,Kimberley Fletcher (Jemima), Emma Williams (Truly Scrumptious), Brian Blessed (Baron Bomburst), Nichola McAuliffe (Baroness Bomburst), Richard O’Brian (Childcatcher), Edward Petherbridge (Toymaker), Graham Hoadley, David Ross, Emil Wolk,
During the long run, cast changes in various roles included Brian Conley, Gary Wilmot, Victor Spinetti, Christopher Biggins, Paul O’Grady, Peter Polycarpou, Alvin Stardust, Jason Donovan, Tony Adams and Freddie Lees, with Caroline Sheen, Sandra Dickinson, Louise Gold, and Jo Gibb.
Commentaires : Based on the 1968 film of an Ian Fleming story, the musical version included six new songs by the Sherman Brothers, who wrote the original film songs. The musical version, adapted by Jeremy Sams, opened at the London Palladium in April 2002 and ran until September 2005 - a three and a half year run which made it the longest running show to date at the Palladium. Box office sales during this period amounted to over £70 million. (It would later open on Broadway in April 2005, receive terrible notices and run for just eight months - 285 performances - losing its entire financial investment)
Commentaires longs: The car featured in the show was reported by the BBC as the most expensive theatrical prop ever built.
Previews were dogged by technical problems, including an incident in which the car crashed into a ship onstage during a gala performance attended by the Prince of Wales.
New material was put into the London production in March 2004 to test for the Broadway production.
Presse : TIM MASTERS for BBC ONLINE says, "You come out of the London Palladium feeling like a kid on Christmas Eve."

NICHOLAS DE JONGH for THE EVENING STANDARD says, "Sheer theatrical magic" And goes on to say, "Chitty Chitty Bang Bang proves itself an ageless pleasure and a pleasure for all ages. "

MICHAEL BILLINGTON for THE GUARDIAN says, "It is the car everyone has come to see, and I can only report that when it becomes airborne and flies over the front stalls there are gasps of astonished delight."

WARWICK THOMPSON for LONDON METRO says, "Be amazed. Be very amazed."

CHARLES SPENCER for THE DAILY TELEGRAPH says, "The audience was purring with pleasure from the moment the band struck up the title tune during the overture."

GEORGINA BROWN for THE MAIL ON SUNDAY says, "Oh dear. I hate to be a wet blanket, but Chitty Chitty Bang Bang is a huge disappointment."

MICHAEL COVENEY for THE DAILY MAIL says, " Brilliantly and ingeniously designed by Anthony Ward."

Version 13

Chitty Chitty Bang Bang (2005-04-Hilton Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Lyric Theatre (Broadway - Etats-Unis)
Durée : 8 mois 1 semaine
Nombre : 34 previews - 285 représentations
Première Preview : Tuesday 29 March 2005
Première : Thursday 28 April 2005
Dernière : Saturday 31 December 2005
Mise en scène : Adrian Noble
Chorégraphie : Gillian Lynne
Producteur :
Avec : Caractacus Potts … Raúl Esparza
Truly Scrumptious … Erin Dilly
Grandpa Potts … Philip Bosco
Baron Bomburst … Marc Kudisch
Baroness Bomburst … Jan Maxwell
Goran … Chip Zien
Boris … Robert Sella
Childcatcher … Kevin Cahoon
Toymaker … Frank Raiter
Jeremy Potts … Henry Hodges
Jemima Potts … Ellen Marlow

Version 14

My Fair Lady (1979-10-Adelphi Theatre-London)

Type de série: UK Revival
Théâtre: Adelphi Theatre (Londres - Angleterre)
Durée : 2 ans 1 semaine
Nombre : 891 représentations
Première Preview : Inconnu
Première : Thursday 25 October 1979
Dernière : Saturday 31 October 1981
Mise en scène : Robin Midgley
Chorégraphie : Gillian Lynne
Producteur :
Avec : Tony Britton (Henry Higgins), Liz Robertson (Eliza Doolittle), Peter Bayliss (Alfred P. Doolittle), Richard Caldicott (Colonel Pickering), Anna Neagle (Mrs Higgins), Peter Land (Freddy Eynsford-Hill)
Commentaires : This production was created at Leicester Haymarket under the management of Cameron Mackintosh who, with Arts Council support, was determined to created regional touring product of the highest quality—so that “West End shows” would be available to provincial theatres with no drop in standards. When the show arrived in the West End the critics felt it was equally as good as first time round.

Version 15

Once in a Lifetime (1979-09-Aldwych Theatre-London)

Type de série:
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première : Tuesday 04 September 1979
Dernière : Inconnu
Mise en scène : Trevor Nunn
Chorégraphie : Gillian Lynne
Producteur :
Avec : Bertenshaw Michael (1st couple) Fitzgerald Kate (1st couple) Johnson Darlene (2nd Couple;Bridsmaid) Reddington Ian (Artist) Hendrick Allan (Bellboy) Cunningham Jocelyn (Bridesmaid) Dury Susan (Bridesmaid) Fitzgerald Kate (Bridesmaid) Brammer Helen (Bridesmaidetc.) Fellows Susannah (Bridesmaidetc.) Fellows Susannah (Cigarette girl) Brammer Helen (Coat check girl) Hall Cheryl (Continuity Girl) Raistrick George (Couple 2; Bishop) McGough Philip (Cowboy star) Reddington Ian (Cyril Fonsdale) Hendrick Allan (Dr Lewis' Secretary) Abbott Brian (Electrician) McGough Philip (Electrician) Nettles John (Ernest;Art Sullivan) Hall Cheryl (Florabel Leigh) Griffiths Richard Thomas (George Lewis) Brown Gaye (Helen Hobart) Suchet David (Herman Glogauer) McEnery Peter (Jerry Hyland) Charleson Ian (Lawrence Veil) McGough Philip (Lightman) White Arthur (Lightman) Wanamaker Zoe (Mary Daniels) Stevenson Juliet (Miss Chasen) Abbott Brian (Miss Fontaine's Chaf) Cunningham Jocelyn (Miss Fontaine's Maid) Reddington Ian (Miss Leigh's Chauffe) Dury Susan (Miss Leigh's maid) Du Sautoy Carmen (Miss Leighton) Freshwater Geoffrey (Mr Flick) Freshwater Geoffrey (Mr Meterstein) White Arthur (Mr Weisskopf) Fitzgerald Kate (Mr Weisskopf's comp) Lush Valerie (Mrs Walker) Bradley David (Oliver Fultonetc.) Barker Alan (Page) Buffery Bill (Page) Van Fossen Diana (Phyllis Fontaine) Bradley David (Policeman) Hodiak Keith (Porter;Truckmanetc.) McGough Philip (Reporter) Brooke Paul (Rudolph Kammerling) Van Fossen Diana (Script Girl) Fuller Toria (Susan Walker) Bertenshaw Michael (Tie Salesman) Bertenshaw Michael (Victor Moulton)
Commentaires : Un spectacle de la RSC.

Version 16

Phantom of the Opera (The) (1986-10-Her Majesty's Theatre-London)

Type de série: Original
Théâtre: Her Majesty's Theatre (Londres - Angleterre)
Durée : 33 ans 6 mois Se joue actuellement
Nombre :
Première Preview : Saturday 27 September 1986
Première : Thursday 09 October 1986
Dernière : Open end, ouvert actuellement jusqu'au Sat 04 April 2020
Mise en scène : Harold Prince
Chorégraphie : Gillian Lynne
Producteur :
Avec : Michael Crawford (Phantom), Sarah Brightman/Claire Moore (Christine), Steve Barton (Raoul), David Firth (Monsieur André), John Savident (Monsieur Firmin), Rosemary Ashe (Carlotta), Mary Millar (Madame Giry)
Commentaires : Based on the 1910 novel “Le Fantome de l’Opera” ” by Gaston Leroux, “Phantom” began previews on September 27, 1986 and opened on October 9th. The production, still playing at Her Majesty's, celebrated its 24th anniversary in October 2010 and its 10,000th performance at the matinee on 23rd October 2010. It is the second longest-running West End musical in history behind Les Miserables.
“Phantom” won the 1986 Olivier and the 1988 Tony Award for Best Musical, and Michael Crawford won the Best Performer Award at both ceremonies. The show has been seen in 149 cities in 25 countries, and has played to over 100 million people. With total worldwide box office sales of over £3.5 billion it is the highest-grossing entertainment event of all time. The New York production alone has grossed US $800 million, making it the most financially successful Broadway show in history.
During its 25 years (and still running) in London, notable replacements in the role of Phantom have been Dave Willetts, Martin Smith, Peter Karrie, Peter Polycarpou, Simon Bowman, Peter Cousens, Mike Sterling, John Owen-Jones, Ramin Karimloo, and Nic Greenshields.
Replacement Christines have included Claire Moore, Rebecca Caine, Myra Malmberg, Rachel Barrell, Leila Benn Haerris, Robyn North and Gina Beck.
Replacement Raouls have included Michael Ball, Robert Meadmore, John Barrowman, Simon Burke, Clive Carter, Simon Bowman, Ramin Karimloo and Oliver Thornton.

Version 17

Phantom of the Opera (The) (1988-01-Majestic Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Majestic Theatre (Broadway - Etats-Unis)
Durée : 29 ans 9 mois 1 semaine
Nombre : 16 previews -
Première Preview : Saturday 09 January 1988
Première : Tuesday 26 January 1988
Dernière : Monday 31 December 2029
Mise en scène : Harold Prince
Chorégraphie : Gillian Lynne
Producteur :
Commentaires : The longest running show in the history of Broadway...

Andrew Lloyd Webber's world renowned rock opera adaptation of Gaston Leroux's novel won the 1988 Tony Award for Best Musical and has gone on to become the longest-running show in Broadway history, playing over 10,000 performances and running for over a quarter of a decade!

This updated musical masterpiece combines both quality musicality with a darkly romantic story that leaves you on the very edge of your seat. Combine the world-class casting with breathtaking theatrical effects, and you have a musical phenomenon that has enthralled audiences across generations all around the world.

Did you know?
Phantom is THE longest-running Broadway musical, having clocked up over 27 years and in 2013 celebrated its 25th anniversary with its 10,400th performance. Bets are currently being taken at New York City Theater Towers, on how many performances will be played by 2018, which the show's 30th anniversary!
Presse : "It may be possible to have a terrible time at The Phantom of the Opera, but you'll have to work at it. Only a terminal prig would let the avalanche of pre-opening publicity poison his enjoyment of this show, which usually wants nothing more than to shower the audience with fantasy and fun, and which often succeeds, at any price. The physical production, Andrew Bridge's velvety lighting included, is a tour de force throughout—as extravagant of imagination as of budget." Frank Rich for New York Times

"It is a spectacular entertainment, visually the most impressive of the British musicals. Perhaps the most old-fashioned thing about it is it's a love story, something Broadway has not seen for quite a while. To say the score is Lloyd Webber's best is not saying a great deal. His music always has a synthetic, borrowed quality to it. As you listen you find yourself wondering where you've heard it before. In this case you've heard a lot of it in Puccini, in the work of other Broadway composers and even the Beatles. Nevertheless he seems to be borrowing from better sources, and he has much greater sophistication about putting it all together. There are some droll opera parodies, several beautiful songs, an impressive septet and a grand choral number, all richly orchestrated." Howard Kissel for New York Daily News

"Technically it is a piece of impeccably crafted musical theater, with theme, music and staging in perfect accord. They combine as a total statement that depends for its potency more on the sum of its parts than on the strength of any individual component." Clive Barnes for New York Post

"The London audiences aren't wrong. "The Phantom Of The Opera" is romantic musical theater hokum in the grand manner - hokum cordon blue - and it justifies the feverish buildup that has given it a $16,500,000 advance. It's good for a Broadway run of several years. Andrew Lloyd Webber has taken the Gaston Leroux potboiler about the love-crazed disfigured genius who lives in the catacombs of the Paris Opera and fashioned it into a thrilling and musically rich mass legit entertainment. The 19th century period spectacle, scenic legerdemain, soaring melodies and exceptional singing are at the service of an involving and piquantly offbeat love story, all of it staged with brilliantly organized flair by Harold Prince, back in top form." Richard Hummler for Variety

Version 18

Phantom of the Opera (The) (1988-12-Theater an der Wien-Vienne)

Type de série: Revival
Théâtre: Theater an der Wien (Vienne - Autriche)
Durée : 1 an 5 mois 2 semaines
Nombre : 1368 représentations
Première Preview : Tuesday 20 December 1988
Première : Tuesday 20 December 1988
Dernière : Saturday 09 June 1990
Mise en scène : Harold Prince
Chorégraphie : Gillian Lynne
Producteur :
Avec : Alexander Goebel (Das Phantom der Oper), Luzia Nistler (Christine Daaé), Alfred Pfeifer (Raoul, Vicomte de Chagny), Jack Poppell (Monsieur André), Wolfgang Pampel (Monsieur Firmin), Priti Coles (Carlotta Giudicelli), Sergio Lombana (Ubaldo Piangi), Diana Bennett (Madame Giry), Alexandra Young-Schmidt (Meg Giry), Vincent Pirillo (Monsieur Reyer), Josef Ettl (Monsieur Lefèvre), Ludwig Itgenshorst (Joseph Buquet), Sigurd Karnetzki (Ensemble), Dennis Kozeluh (Ensemble), Andreas Macco (Ensemble), Christina Papp (Ensemble), Klaus Gilbert (Ensemble), Helga Loanda (Ensemble), Elisabeth Reichart (Ensemble), Susanna Fischer (Ensemble), Patrice Tappé (Ensemble), Claudia Dallinger (Ensemble), Keith Mayler (Ensemble), Heimo Borg (Ensemble), Heinz Heidenreich (Ensemble), Tina Staudacher (Swing), Horst Reeh (Swing), Bagdasar Bayvertian (Swing), Karin Seyfried (Swing), Julia Kajtar (Das Ballett der Opéra populaire), Elizabeth Mills (Das Ballett der Opéra populaire), Amanda Turner (Das Ballett der Opéra populaire), Bronwyn Carey (Das Ballett der Opéra populaire), Pippa Heughan (Das Ballett der Opéra populaire), Dianne Johnston (Das Ballett der Opéra populaire)
Commentaires : Transféré au Raimund Theater le 9 juin 1990

Version 19

Phantom of the Opera (The) (1990-06-Neue Flora-Hambourg)

Type de série: Revival
Théâtre: Neue Flora (Hambourg - Allemagne)
Durée : 11 ans
Nombre : 4440 représentations
Première Preview : Tuesday 19 June 1990
Première : Friday 29 June 1990
Dernière : Saturday 30 June 2001
Mise en scène : Harold Prince
Chorégraphie : Gillian Lynne
Producteur :
Commentaires : Création du musical en Allemagne.
Lors de la première du musical (29/6/1990), correspondant à l'ouverture officiele du Neue Flora, de très violentes maniferstations se sont déroulées: 3.500 policiers mobilisés pour ^rotéger le théâtre et ses spectateurs. Plus de 1.000 manifestants ont fait de très louirds dégâts (destruction de voiture, de mobilier urbain)et ont canardé les spectateurs de peinture, de fruits pourris et d'œufs pourris.

Version 20

Phantom of the Opera (The) (1990-06-Raimund Theater-Vienne)

Type de série: Revival
Théâtre: Raimund Theater (Vienne - Autriche)
Durée : 3 ans 3 semaines
Nombre :
Première Preview : Saturday 09 June 1990
Première : Saturday 09 June 1990
Dernière : Wednesday 30 June 1993
Mise en scène : Harold Prince
Chorégraphie : Gillian Lynne
Producteur :
Avec : Alexander Goebel (Das Phantom der Oper), Luzia Nistler (Christine Daaé), Alfred Pfeifer (Raoul, Vicomte de Chagny), Jack Poppell (Monsieur André), Wolfgang Pampel (Monsieur Firmin), Priti Coles (Carlotta Giudicelli), Sergio Lombana (Ubaldo Piangi), Diana Bennett (Madame Giry), Alexandra Young-Schmidt (Meg Giry), Vincent Pirillo (Monsieur Reyer), Josef Ettl (Monsieur Lefèvre), Ludwig Itgenshorst (Joseph Buquet), Sigurd Karnetzki (Ensemble), Dennis Kozeluh (Ensemble), Andreas Macco (Ensemble), Christina Papp (Ensemble), Klaus Gilbert (Ensemble), Helga Loanda (Ensemble), Elisabeth Reichart (Ensemble), Susanna Fischer (Ensemble), Patrice Tappé (Ensemble), Claudia Dallinger (Ensemble), Keith Mayler (Ensemble), Heimo Borg (Ensemble), Heinz Heidenreich (Ensemble), Tina Staudacher (Swing), Horst Reeh (Swing), Bagdasar Bayvertian (Swing), Karin Seyfried (Swing), Julia Kajtar (Das Ballett der Opéra populaire), Elizabeth Mills (Das Ballett der Opéra populaire), Amanda Turner (Das Ballett der Opéra populaire), Bronwyn Carey (Das Ballett der Opéra populaire), Pippa Heughan (Das Ballett der Opéra populaire), Dianne Johnston (Das Ballett der Opéra populaire)
Commentaires : Transféré du Theater an der Wien le 9 juin 1990

Version 21

Phantom of the Opera (The) (1992-12-US Tour 3)

Type de série: US Tour
Théâtre: US Tour ( - Etats-Unis)
Durée : 17 ans 10 mois 3 semaines
Nombre : 7284 représentations
Première Preview : Sunday 13 December 1992
Première : Sunday 13 December 1992
Dernière : Sunday 31 October 2010
Mise en scène : Harold Prince
Chorégraphie : Gillian Lynne
Producteur :
Commentaires longs: The US Tour of the Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom Of The Opera, directed by Harold Prince, celebrated its 15th anniversary on December 13, 2007 when it reached performance number 6,139 during its 5th Chicago engagement at the Cadillac Palace Theatre. A gala celebration, hosted by the producers for the entire touring company, took place in Chicago on Sunday evening, December 16, to commemorate this milestone event. The US Tour opened at the 5th Avenue Theatre in Seattle on December 13, 1992. To date, 73 cities in North America have hosted 179 engagements of the show.

Version 22

Phantom of the Opera (The) (2005-Colosseum-Essen)

Type de série: Revival
Théâtre: Colosseum Theater (Essen - Allemagne)
Durée : 1 an 5 mois 2 semaines
Nombre : 508 représentations
Première Preview : Inconnu
Première : Sunday 25 September 2005
Dernière : Saturday 10 March 2007
Mise en scène : Harold Prince
Chorégraphie : Gillian Lynne
Producteur :
Avec : Thomas Borchert (Das Phantom (September - Dezember 2005)), Ian Jon Bourg (Das Phantom (Dezember 2005 - Februar 2006)), Ethan Freeman (Das Phantom (Februar - Mai 2006)), Uwe Kröger (Das Phantom (Mai - Juli 2006)), Christian Alexander Müller (Das Phantom (ab September 2006) / Cover Das Phantom / Cover Raoul Vicomte de Chagny / Ensemble Swing), Fernand Delosch (Das Phantom (alternierend ab Juli 2006) / Monsieur André), Anne Görner (Christine Daaé), Sandra Danyella (Christine Daaé (alternierend)), Nikolaj Alexander Brucker (Raoul Vicomte de Chagny), Ernst van Looy (Monsieur Firmin), Ulrich Wand (Monsieur André (alternierend) / Auktionator / Cover Monsieur Lefèvre / Ensemble), Laurie Anne McGowan (Carlotta Giudicelli), Evelyn Werner (Carlotta Giudicelli (alternierend)), Daniel Brenna (Ubaldo Piangi), Gabriele Ramm (Madame Giry), Annabel Knight (Meg Giry), Antoine Godor (Monsieur Buquet / Cover Monsieur Firmin / Ensemble), Eberhard Neitzel (Monsieur Lefèvre / Cover Monsieur Firmin / Cover Monsieur Buquet / Cover Auktionator / Cover Don Attilio / Ensemble), Andreas Bühring (Monsieur Reyer / Ensemble Swing), Daniel Pabst (Monsieur Reyer / Cover Monsieur André / Ensemble), Steffen Friedrich (Auktionator), Lars-Henry Larsson (Don Attilio / Ensemble), Alyssa Preston (Confidante / Ensemble), Beatrix Reiterer (Cover Christine Daaé / Ensemble), Martina Dorothea Rumpf (Cover Christine Daaé / Ensemble), Lucius Wolter (Cover Raoul Vicomte de Chagny / Ensemble), Annette Kuhn (Cover Madame Giry / Ensemble), Marina Edelhagen (Cover Madame Giry / Cover Confidante / Ensemble), Patricia Hewes Corry (Cover Carlotta Giudicelli / Ensemble), Bonifacio Galván (Cover Ubaldo Piangi / Ensemble), Alexander Sascha Nikolic (Cover Ubaldo Piangi / Ensemble), Reinhard Schulze (Cover Don Attilio / Cover Monsieur Lefèvre / Cover Monsieur Reyer / Cover Monsieur Buquet / Cover Auktionator / Ensemble Swing), Dietgard Barbara Nebelung (Cover Confidante / Ensemble Swing), Ulrike Anders, Alexson Capelesso, Emma Maria Casey, Mami Iwai, Rustam Kuramshin, Anna Roura Maldonado, Miki Nakamura, Svetlana Schenk, Renée Marion Weibel, Sandra Burchartz, Valerie Khmelnytska, Lourdes Manay, Kirsty Wright, Marcello Ronchietto (Cover Ubaldo Piangi / Ensemble (ab September 2006)), Roy Weissensteiner (Cover Das Phantom / Ensemble (ab September 2006)), Melissa Marshall (Cover Carlotta Giudicelli / Ensemble (ab September 2006)), Lara Camille Glew (Ensemble (ab September 2006)), Nicole Malangré (Cover Madame Giry / Ensemble (ab September 2006)), Rachel Horn (Cover Meg Giry / Ensemble Tanz (ab September 2006)), Christopher Morandi (Cover Raoul Vicomte de Chagny / Ensemble Swing Tanz (ab September 2006)), Ulrike Bartz (Ensemble (ab September 2006))
Commentaires : Une version très ambitieuse pour le Colosseum Theater qui a programmé, dès le départ, une série du chef d'œuvre de Lloyd Webber où les stars allaient se succéder pour une période de plusieurs mois chacuns: Thomas Borchert, Ethan Freeman, Uwe Kröger et Christian Müller

Version 23

Phantom of the Opera (The) (2011-10-Royal Albert Hall-London) 25th Anniversary

Type de série: Revival
Théâtre: Royal Albert Hall (Londres - Angleterre)
Durée :
Nombre : 3 représentations
Première Preview : Saturday 01 October 2011
Première : Saturday 01 October 2011
Dernière : Sunday 02 October 2011
Mise en scène : Laurence Connor
Chorégraphie : Gillian Lynne
Producteur :
Avec : Ramin Karimloo as 'The Phantom' , Sierra Boggess as 'Christine'. Barry James as 'Monsieur Firmin', Gareth Snook as 'Monsieur Andre', Liz Robertson as 'Madame Giry' and Wynne Evans as 'Piangi' together with a cast and orchestra of over 200 and some special guest appearances
Commentaires : Performances at the Royal Albert Hall to celebrate the show's 25 years

Version 24

Phantom of the Opera (The) (2014-10-MDM Theater-Moscou)

Type de série: Revival
Théâtre: MDM Theater (Moscou - Russie)
Durée : 1 an 6 mois 4 semaines
Nombre :
Première Preview : Saturday 04 October 2014
Première : Saturday 04 October 2014
Dernière : Saturday 30 April 2016
Mise en scène :
Chorégraphie : Gillian Lynne
Producteur :
Avec : Catherine Lëhina (Carlotta Giudicelli), Irina Samoilova (Carlotta Giudicelli), Elena Bakhtiyarova (Christine Daaé), Tamara Kotova (Christine Daaé), Elena Charkviani (Madame Giry), Valery Migalina (Meg Giry), Yuri Mazihin (Monsieur Firmin), Dmitry Ermak (Phantom of the Opera), Ivan Ozhogin (Phantom of the Opera), Evgeny Zaytsev (Raoul Vicomte de Chagny), Hovhannes Georgiyan (Ulbaldo Piandzhi)

Version 25

Pickwick (1993-10-Sadler's Wells Theatre-London)

Type de série: Revival
Théâtre: Sadler's Wells (Londres - Angleterre)
Salle : Theatre
Durée : 1 mois 1 semaine
Nombre :
Première Preview : Inconnu
Première : Thursday 14 October 1993
Dernière : Saturday 20 November 1993
Mise en scène : Patrick Garland
Chorégraphie : Gillian Lynne
Producteur :
Avec : Harry Secombe {Mr Pickwick), David Cardy (Sam Weller), Roy Castle (Tony Weller) , Michael Howe (Mr Jingle), Ruth Madoc (Mrs Bardell) , Alexandra Bastedo (Rachel Wardle), Peter Land (Augustus Snodgrass), Robert Meadmore, Glyn Houston
Commentaires : This production originated at Chichester in July. Thirty years after its premiere, Harry Secombe was still capable of giving a much-praised performance, though the style of the show had dated somewhat in the eyes of most critics.

Version 26

Roar of the Greasepaint (The) (1965-05-Shubert Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Shubert Theatre (Broadway - Etats-Unis)
Durée : 6 mois 3 semaines
Nombre : 7 previews - 231 représentations
Première Preview : Tuesday 11 May 1965
Première : Sunday 16 May 1965
Dernière : Saturday 04 December 1965
Mise en scène : Anthony Newley
Chorégraphie : Gillian Lynne
Producteur :
Avec : Cocky ... Anthony Newley / Sir ... Cyril Ritchard / The Kid ... Sally Smith / The Girl ... Joyce Jillson / The Negro ... Gilbert Price / The Bully ... Murray Tannenbaum
Commentaires : Tryout Dates: Shubert Theatre [Philadelphia, PA] February 1965 - ? / Shubert Theatre [New Haven, CT] 3/15/1965 - 3/20/1965 / Shubert Theatre [Boston, MA]
April 1965 - ?

Version 27

Ronde (La) (1982-01-Aldwych Theatre-London)

Type de série:
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première : Monday 11 January 1982
Dernière : Inconnu
Mise en scène : John Barton
Chorégraphie : Gillian Lynne
Producteur :
Avec : Murray Mike (A Viennese), Saxon Rolf (A Viennese), Shakesby Patricia (A Viennese), Tafler Jonathan (A Viennese), Whitfield Petronilla (A Viennese), Mason Sara (Chambermaid), Leigh-Hunt Barbara (The Actress), Nettles John (The Count), Church Tony (The Husband), Duvitski Janine (The Parlourmaid), Pasco Richard (The Poet), Seddon Corinna (The Prostitute), Storry Malcolm (The Soldier), Buxton Judy (The Sweet Girl), Siberry Michael (The Young Gentleman), Fleetwood Susan (The Young Wife)
Commentaires : Un spectacle de la RSC.

Version 28

Secret Garden (The) (2000-11-Royal Shakespeare Theatre-Stratford)

Type de série: Revival
Théâtre: Royal Shakespeare Theatre (Stratford-Upon-Avon - Angleterre)
Durée : 1 mois 4 semaines
Nombre :
Première Preview : Monday 13 November 2000
Première : Tuesday 28 November 2000
Dernière : Thursday 27 January 2000
Mise en scène : Adrian Noble
Chorégraphie : Gillian Lynne • Anthony Ward
Producteur :
Commentaires longs: The creatative team behind the acclaimed The Lion, Witch and the Wardrobe (RST 1998 & 1999), RSC Artistic Dircetor Adrian Noble and Designer Anthony Ward, are reunited on The Secret Garden and are collaborating with Tony Award and Pulitzer Prize winning playwrite Marsha Noman and Tony Award nominated and Grammy Award winning composer Lucy Simon. This version has been completely revamped from the Broadway production.

Version 29

Songbook (A tribute to Mooney Shapiro) (1979-07-Globe theatre-London)

Type de série: Original
Théâtre: Gielgud Theatre (Londres - Angleterre)
Durée :
Nombre : 208 représentations
Première Preview : Inconnu
Première : Wednesday 25 July 1979
Dernière : Inconnu
Mise en scène : Jonathan Lynn
Chorégraphie : Gillian Lynne
Producteur :
Avec : David Healey (Mooney Shapiro), Anton Rodgers, Gemma Craven, Diane Langton, Andrew C.Wadsworth
Commentaires : An absolute delight, this show received mountains of praise, but a whole evening of parody of film and musical theatre could only truly be enjoyed by an audience who understood what was being parodied. After 268 performances it finally ran out of audience.

Version 30

Tom Foolery (1980-06-Criterion Theatre-London)

Type de série: Original London
Théâtre: Criterion Theatre (Londres - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première : Thursday 05 June 1980
Dernière : Inconnu
Mise en scène : Gillian Lynne
Chorégraphie :
Producteur :
Avec : Robin Ray, Jonathan Adams, Martin Connor, Tricia George
Commentaires : A collection of songs by Tom Lehrer performed in revue style with great success.

Version 31

Valentine's Day (1992-09-Gielgud Theatre-London)

Type de série: West End Transfer
Théâtre: Gielgud Theatre (Londres - Angleterre)

Durée : 3 semaines
Nombre : 28 représentations
Première Preview : Inconnu
Première : Thursday 17 September 1992
Dernière : Saturday 10 October 1992
Mise en scène : Gillian Lynne
Chorégraphie : Gillian Lynne
Producteur :
Avec : Elizabeth Counsell (Mrs Clandon), John Turner (Crampton Clandon), Teresa Banham (Gloria), Edward Petherbridge (Walter), Alexander Hanson (Valentine), Edward de Souza, Amanda Dainty, Eileen Battye, Nicky Adams
Commentaires : Based on George Bernard Shaw’s play “You Never Can Tell”, this had originated at the Minerva Studio in Chichester. It did not transfer comfortably to the larger Globe Theatre, and received very mixed reviews. It came off very quickly.

Version 32

Way of the World (The) (1978-01-Aldwych Theatre-London)

Type de série:
Théâtre: Aldwych Theatre (Londres - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première : Friday 27 January 1978
Dernière : Inconnu
Mise en scène : John Barton
Chorégraphie : Gillian Lynne
Producteur :
Avec : Wax Ruby (Betty), Begley Kim (Coachman), Woodvine John (Fainall), Ward Eliza (Foible), Begley Kim (John), Reid Beryl (Lady Wishfort), O'Shea Kevin (Messenger), Whitehouse Christopher (Messenger), Carson Avril (Mincing), Pennington Michael (Mirabell), Du Sautoy Carmen (Mrs Fainall), Bland Marjorie (Mrs Marwood), Dench Judi (Mrs Millamant), Brown Bobbie (Peg), Rees Roger (Petulant), Peck Bob (Sir Wilfull Witwoud), Lyon David (Waitwell), Grace Nickolas (Witwoud)
Commentaires : Un spectacle de la RSC.